Michael Connelly - The Scarecrow

Michael Connelly is easily one of the best crime fiction authors working today and The Scarecrow is a solid read, although I have to admit that after a great start the ending is a bit of let down. It isn't that the ending is bad (it isn't) - it's just that it follows a standard formula and was just too 'ordinary'. The first half of The Scarecrow is exceptionally good. Connelly gives readers an insider's look at the inner workings of the newspaper business and the devastating effect that the internet and 24 hour cable news is having on it. I appreciated that our hero, reporter Jack McEvoy, starts chasing a story for reasons that are not entirely noble. When the grandmother of a gang member charged with murder insists her grandson is innocent, Jack follows up, not intending to prove the boy innocent, but rather to gain access to the family so he can profile the mind of a young killer. Of course, he does find evidence that leads the story in a different direction. The greatest strength of Connelly's fiction is how thorough he is as a writer. For example: the killer is planning to frame someone (I don't want to give too much away) and Connelly has him address any holes in his plan, like the transportation of a firearm. Lesser authors would simply ignore the problem(s) and assume that readers wouldn't notice or would be willing to overlook the inconsistancies. Connelly though has his killer find a solution so that his plan is as realistic as possible. I appeciate that. I also appreciate that McEvoy and his partner FBI agent Rachel Walling don't just stumble around - they actually investigate, detect, and solve things. The criminals are intelligent too, which makes for a refreshingly smart read.